; TeX output 1992.07.01:1842C෍+|{Ycmr8EuroTAEMXX92|SeptemÎb#u۶MusicT"R[wE)X{EurpoT"R[wEX92 ݍ+ffiY09f^6c&365ff͟ʄ%^ffAffN@=noteN#u۶MusicT"R[wE)X{EurpoT"R[wEX92 ݍ+ffiY0+2.3%7Music2toktens,ratherthanareadymadegeneratorr+Theftok!ensprovidedbyMusicT,[wEB Xare:r!+thefnotesym!bMolswithoutstem;!+the2notesym!bMolswithstems, andhooksforeigh!thnotesandbey!ond;!+thefindicationsofbMeambeginningsandbeamends;!+thefindicationsofbMeginningsandendsoftiesandslurs;!+thefindicationsofacciden!tals;!+the 8ornamen!ts:arpMeggios,atrills,mordents,pinc"Des,turns,staccatos!+andfpizzicatos,fermatas;!+thefbars,themeterandsignaturec!hanges,etc.,Th!us,{\whgpproMducesanAp(445Hz)ޭwhosedurationisawholenote. In+theۥsamew!aye,2\qucۥproMducesaCq(250Hzappro!x.)6whosevdDalueisaquarter+notekkwithstemupU,w7\clJk\proMducesaC(125Hzappro!x.)#whosedurationis+anfeigh!thnotewithstemdown,etc.r,Teolgeneratequarter,eigh!th,sixteenth,etc.0]chords,thelmacro\zqcan+bMeused:itproducesaquarternoteheadwhosepositionismemorizedand+recalledcwhenanotherstemmednote(pMossiblywithahook)iscoded;dthen+theistemisadjustedtolinkallsim!ultaneousnotes.Thus,thepMerfectC-+majorfc!hord,i.e.5TDß33ff7fdff7fdff7fdff7fdff7fdß33ffffG33ff 34!34!34!̈́ ffΟ!Ɩ?33ffffr+isvxcoMded\zqc\zqe\zqg\qujy8or,inamoreconcisew!aye,\zq{ceg}\quj+(stemfup):infact,singlenotesaretreated.1..?lik!eone-notechords.r+2.4%7Beamsr+Beams _aregeneratedusingmacroswhic!hde netheirbMeginning(atthe+curren!tvehorizontalpMosition),togetherwiththeiraltitude,theirsense(uppMer+oflo!wer),otheirmultiplicitye,otheirslopMeandtheirreferencenumbMer.This+latterafeature{thereferencen!umbMera{appearstobenecessarye,sinceones獒li#52sCxfnT)aupin wfnffiY0fnma!ywanttowritebMeamswhosehorizontalextentsoverlap:atherefore,xitfnis,necessarytospMecifywhic!hbeamthenoteshangonandwhic!hbeamisfnterminatedfatagiv!enpMosition.fn2.5Setting2antythingonthescorefnAZgeneralmacro(\zcharnote)pro!videsameansofputtinganysequencefnofwsym!bMols(infact,3some\hbox{...})atanypitchofanysta ofanyfninstrumen!t.vThus,7any0symbMolde nedinafont(letters,7mathsymbMols,7etc.)fncanfbMeusedtot!ypesetm!usic.fn2.6A2simpleexamplefnBeforeSen!teringotherdetails,d5wegivebMelowanexampleofthetwo rstbarsfnoffthesonatainC-majorK545b!yMozarEt:bTD2ꍑo0PianoTu cmex10:T8TL<!^333͟L̈́333ԑ33ffffffffffԑ33ffffffffffԑ33AffffԏGԏG׍4 4׍4 4T133ff ̈́ffλ! ff!ff!㙢sfj*3' ff!ƀff"7?񓍑133ff ̈́ff! ff!ff!㙢sfj*3' ff!ff!ff!;?33Affff LͶ2s-?ffλ! ff!?ff! aff!"V cmbx10.s-sfj*3':s! ffλ!4U?ff@T!@HRbeamn20 ff@P!CfW133ff ̈́ff! ff!ff!㙢sfj*3' ff!ƀff"?33AffffrunThefcoMding~issetasfollo!ws:Hn\begin{music}n\parindent1cmn\def\nbinstruments{1}\relax%asingleinstrumentn\def\instrumenti{Piano}%%whosenameisPianon\nbporteesi=2\relax3%withtwostaffsn\generalmeter{\meterfrac{4}{4}}\relax%4/4meterchoosenn\debutextraitV:%startingrealscoren\normalx%normal12ptnotespacingn\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hlj\enotesn\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\qll\sk\qln\enotesn\barre~x%barn\Notes\ibu0f0\qh0{dgf}|\qlpi\enotesn\notes\tbu0\qh0g|\ibbl1j3\qb1j\tbl1\qb1k\enotesn\temps\Notes\ibu0f0\qh0{cge}\tbu0\qh0g|\hlj\enotesn\finextraitaJ%terminateexcerpts獑fn6<C>#u۶MusicT"R[wE)X{EurpoT"R[wEX92 ݍ+ffiY0!+\end{music}r!+\ibu0f0bMeginsanupperbeam,alignedonthef{,referencen!umbMer0,!+slopMef0!+\tbu0;terminatesthisbMeambeforewritingthesecondg,b!ymeansof!+\qh0g!+\qh..ݭindicatesfanotehangingonabMeam.!+\sk setsaspacebMet!weenthet!woquartersattherigh!thand,}sothat!+thefsecondisalignedwiththethirdeigh!thofthelefthand.!+\qlpfisaquarterwithapMoin!t.!+\ibbl1j3֥bMeginsadoublebeam,alignedontheC(jatthispitc!h)of!+slopMef0.15.r+2.7%7Signaturesr+Signaturesarestatedeitherforallinstrumen!ts,such+asC:L\generalsignature=-2whic!hsetstwo atsoneachsta ,Jbutthiscan+bMeapartlyo!verridedaby\signatureii=1whichputsonesharponthesta s+of@uinstrumen!tnumbMer 2(ii). Ofcourse,fthecurrentsignaturemaychange+atfan!ytimeaswellasmetersandclefs.r+2.8%7T\ranspYosition+AnimpMortan!tquestionis:}\canMusicT,[wEB Xtransposeascore?".Theansw!er+is?no!w99.5%yess.$hIffact,.uthereisaninternalregisternamed\transpose+the_ defaultvdDalueofwhic!hiszero,3butitmaybMesettoanypMositiveof+negativ!evreasonablevdDalue.OPThen,ito setsallsymbMolspitchedwithletter+sym!bMols+bythatnumbMerofpitchsteps..+However,itwillneitherchangethe+signaturenortheloMcalacciden!tals,Dandif{forexample{youtranspMoseby+1pitc!hapiecewrittenin b> 3 cmmi10Cȁ,aMusicT,[wEB Xwillnotknowwhetheryouwantit+inbDM[,ϡinD@orinD].@Thismigh!tbecometric!kyifaccidentalsoMccurwithin+the=piece,cwhic!hmighthavetobMeconvertedinto ats,cnaturals,sharps=or+doubleWsharps,fdepMendingonthenewc!hoosensignature.nTeocircum!ventWthis+trouble,8relativ!eN|accidentalsuhavebMeenimplemented,8theactualoutputof+whic!hfdepMendsofthepitchofthisaccidentalandofthecurrentsignature.s獒li#7HpCxfnT)aupin wfnffiY0fn2.9Grace2notesandcadenzasrfnIn:additiontoitsfacilit!yofgeneratingeithersixteenpMointortwentypMointfnsta sdwithnoteheadsofcorrespMondingsize,$MusicT,[wEB Xalsoallo!wstheuserfntot!ypMesmallernotes, ninordertorepresenteithergracenotess, ncadenzaslUorfnafpropMosedrealizationofa guredbasss.Thisma!ygivesomethinglike:TDy33ffC&ffC&ffC&ffC&ffC&r:r8rLG>Tff!Ǒ?33nffff LͶ1 a# a#ٔ33ff fgff 34 y?ffT!s-ff! arfjfj٘33ff 34 y?ffT! 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Ϥff 34!34 y?ffT!ff !?ffT!ff !3. ?fj'fl?ffT!L̟L̈́ ff)!@:ff!!.??ffT!133ff 34!34 y?ffT!̈́ ff(! 33ff 34!34 y?ffT!34? ff!36 y?ffT!/mfS2&lBSǿU&lmU5YAAff&!rfj'fn)933ff 34!34 y?ffT!? ?33nffffrfn2.10hSelecting2spYecialinstrumenttscoresrfnAnother+questionis: g\canI+writeanorc!hestralscoreandextractfntheseparatescoresforindividualinstrumen!ts?" җTheansweris95%fny!esT: ̵infact,[youcande neyourownmacros\mynotes...\enotes,fn\myNotes...\enotes'withasman!yargumentsasthereareintheorchestralfnscore-(hopMethisislessorequalto9,kbutT,[wEB Xpertskno!whowtoworkaround)fnandxc!hangeitsde nitiondepMendingontheselectedinstrument(orinsertafntestonthevdDalueofsomeselectionregister).Butthelimitationisthatthefnn!umbMeringZofinstrumen!tsmaychange,jsothat\signatureiiimayhavetofnbMecome0\signatureiifinstrumen!tiiiisalone.zBut,Rkinturn,thisisnotafnseriousfproblemfora!veragefT,[wEB Xwizardappren!tices.%rfn3|HowtogetitrfnThewholedistribution tsin!toasingle1.2Mbyteor1.44Mbytediskette.SItfncan<,alsobMeobtainedthroughananon!ymousftp-atrsovax.ups.circe.frfn(130.84.128.100),afterselectingthesubMdirectory[.musictex].'Allsourcesfn(includingtEfon!ts)areprovided,eitherseparatelyor\zippMed"orasVMSfn`sa!vesets".s獑fn8 RC>#u۶MusicT"R[wE)X{EurpoT"R[wEX92 ݍ+ffiY0+4"Implementation,restrictionsandenhancement"pfgossibilities(+Themacroinstruction leMusicT,[wEB Xcon!tainsapproximately2500linesof+coMde,thatʼis80000b!ytesapproximatelye.JThisrequiresyourscoretobMe+compiledhjb!ythemostextendedversionsofT,[wEB X(65000wordsofworking+memory). 3In^despMeratesituations,w!erecommendusingthe\BigT,[wEB X"+proMcessorswhic!h,unfortunatelye,performagreatdealofdiskinput/outputs+(onfPCs)whic!hmakethemawfullyslow.r,InmRparticular,xthen!umbMermRofregistersitusescanhinderitscompatibilit!y+withsomeLaT,[wEB Xst!ylesorwithLaT,[wEXitselfincaseofrestrictedmemory+a!vdDailability.(+4.1%7Recentt2easyenhancements(+Man!yUenhancementshavebMeenaskedfor,eandthisisaproMofthetMusicT,[wEB X+isconsideredasusefulb!ymanypMeople.cSomeoftheseenhancementswhich+seemedhardw!ereinfactrathereasytoimplement,;forexamplesmall+notestorepresen!tgracenotesandcadenzas.[Butothersmayinduceheavy+problems,fforexampletheneedofha!vingniceCmslursandties.+4.2%7The2tie/slurproblem(+Whilec$t!ypMesettingnotesandevenbMeamsisarathersimpleproblembecause+isfisaloMcalt!ypesetting,tiesandslursarem!uchfmorediculttohandle.r,Orcoursethereislittleproblemincaseofat!ypMesetterwantingaslur+oratiebindingt!woconsecutivenotes, notseparatedbyabar.Inpractice+thisv!eryrestrictedIuseofslursortiescaneasilybMesolvedbyputtingsome+sym!bMolszextractedfromtheslur16orslurn16/slurn20fontssomewhere+onfthesta susingthegeneraluse\zcharnotemacro.,Butseriousm!usictypMesettersorcomposerskno!wthatmanytiesare+suppMosedtolinknoteswhic!hareonbothsidesofabar,߯whic!hisalikelyplace+tolinsertlinebreakings,(sothatthetie coMdingm!usthavevdDariousversions+andksizestoresistthatpMossiblelinebreaking.kWhathasbeensaidabout+tiesoisstillmoreseriousinthecaseofphrasingslurs|whic!hmayextendover+sev!eralObars,`linesandsometimespages.Inthiscase,theirshapMeisnotonly+aHquestionofproMducingalongcurv!edsymbMolofnicelookingshape,italso+hastocopMewithglue.#Anthenthew!orstisthatmusicwayoftypingdoMess獒li#9 cCxfnT)aupin wfnffiY0fnnotacceptraggedlines%Vbutequallengthlines,ev!enforthelastlineofamusicfnpiece.lMTh!us,longdistanceslursandtiesneedtobMecutintoseparatepartsfn(bMeginning,con!tinuing(s),endings)whichT,[wEB Xcanonlylinkusinghorizontalfnlinero!verlapsor\leaderstoinsureslurcontinuityoverthisunavoidableglue.runThereforeh@anduptono!w,ttiesandslurshavebMeenimplementedinawayfnwhic!h8mayloMokratheruglye,NbutwethinkitistheonlywayofimplementingfninaonepassDtiesandslurswhic!hrunacrossglue.Theprincipleistohavefntie/slur'sym!bMolswitharatherlongpartofhorizontalstu .b[Then,HEateachfntime4aglueoMccursandateac!htimeagroupofnotesiscodedwhileafnslur9ortieispMending,3an\hruleisissuedwhic!hoverlapsthepreceedingfntie/slursym!bMolsothatthe naloutputseemstocontainacontinuousline.fnUnfortunatelye,kthisispMossibleonlyintheglueexpansiondirection,namelyfninfthehorizon!taldirection.runItcouldbMerequested{andthisisthough!tof{tohavevdDariablesizeinitialfnandt nalcurv!edslursymbMolswhichtheuserwouldchoMoseaccordingtohisfnin!tentionIetoha!veIeshortorlongrangeslursym!bMols.Thishasnotbeeny!etfnimplemen!tedfforseveralreasons:DtunThefauthor'snaturallazyness(!) FtunMoreseriously:ithisw!ouldrequireusingsomemoreregisters(atleastandozen)@torecordtheinitialsizes(horizon!talandvertical)ofthissymbMolnforPeac!hslur/tieinordertomakeadequatelinksoverglueandtoclosenit withthesymmetricalsym!bMol.Unfortunatelye, T,[wEB Xregistersarenotnn!umerous(256ofeachkind)andweareafraidsuchafeaturewouldnmak!efT,[wEB XstupidlycrashevenwhentypMesettingreasonablescores. FtunWee donotthinkitwisetoin!troMduceinMusicT,[wEB XitselfagreatnumbMernofXmacroswhic!hwouldbMepoolyusedb!ymostusers:thereasonnisthatT,[wEB Xmemoryishardlylimitedandthatun!usedmacrosmaynoMccup!ysomeT,[wEB XstoragewhichcouldmakethingscrashbMecauseofnTeXcapacityexceeded...$ܸfn5|AcknowledgementsLfnThe/Nideaofimplemen!tingthepresentpackdDageisduetothepreviousworkfn(MuVT,[wEB X),of-4AndreaSteinbachandAngelikdDaSchofer[1]. rGThisw!orkfnpro!videdthebasisoftheMetafontcoMdesandsomelinebreakingprocedures,fnwhic!hfbMotharestillusedhere...with99%correctionsandupdates.s獑fn10 oC>#u۶MusicT"R[wE)X{EurpoT"R[wEX92 ݍ+ffiY0+6"Someexamplesr+Man!yԖexamplescanbMetypMesetfromtheMusicT,[wEB Xdistribution,buttheyare+notincludedherebMecauseoftheirneedtobecompiledwithT,[wEB Xratherthan+LaT,[wEB XandbMecausetheyneedoutputpaperoftheextended291297mm2+europMeancsize.:Ho!weverwechosetoproMduceasmalltypMesizeversionof+HaEydn'sqdariafromtheCreationandapieceofapMersonalcompositionhea!vily+usingfbMeams.3e+References+[1]CPAndrea- cmcsc10SteinbachandAngelik|raSchofer,Theses(1987,1988), CPRheinisc9heTF:riedrich-WilhelmsUniversit`at,Bonn,Germany:.s獒f11 |QCxfnT)aupin wfnffiY0x]"Vff cmbx10AriaNo.\%24j(TheCreation) 6K`y cmr10Joseph- cmcsc10Ha32ydnQTeranscriptionffororganandtenor,D.T aupin(1990)un33ffZYffZYffZYffZYffZYm:m8mrIYIr>. ff!ۺB33XffffEͶ1##8^33ffQff̊ffC! 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